Review: Stuck on You

It lacks the comic mastery of Kingpin and Shallow Hal’s cutting insights about body image, but it’s still a big-hearted charmer.

Review: Monster

True crime, secret lesbians, Floridian trailer trash, and ’80s pop music—these lurid ingredients come together in Monster.

Review: In the Cut

In the Cut fails to communicate the same complexities about men and women that Jane Campion has more deeply explored in her earlier films.

Review: S.W.A.T.

A sign of the times: S.W.A.T. opens with an aerial shot of the Hollywood sign before quickly descending into white-noise chaos.