This minimalist package is a tell that Criterion believes that the films speak for themselves.
You can see just how much benefit the 4K format has to offer grainy, New Hollywood-era films.
Shout! Factory may as well have gone ahead and retitled this 4K release Blackest Christmas.
De Palma’s exquisitely directed slasher gets its finest home video release to date.
The album remains the singer's most daring effort, one which snuffs out afterglow and imprints itself like a rash on the soul.
Like Rodrigues’s best work, the film never undersells the importance of brains being the most important sex organ.
This release boasts a stunning 4K transfer that boosts Blow Out’s even more stunning images.
Doug Liman’s sci-fi action thriller remains one of the most enjoyable American blockbusters of the previous decade.
William Lustig and Larry Cohen team up to bring you this curdled rumination on small-town Americana, jingoism, and the hell that is warfare.
Criterion reaffirms their commitment to Waters’s oeuvre with a definitive release of his seminal sensation.
Paramount gives De Palma’s opulent crime epic a home-video presentation that’s worthy of its sumptuous sense of visual invention.
This set is going to look awfully smart on the shelf next to Criterion’s forthcoming release of Pink Flamingos.
Laurie Anderson's Big Science is an immense structure, generously democratic, as approachable as it is enigmatic.
Even if this isn’t actually The End of Movies As We Know It, it’s unmistakably The End of Peak Oscar.
If the film is undoubtedly Sirk’s giddiest trash entertainment, it’s also the shallowest example of his less-heralded humanist acuity.
Alligator get an incredible split polish, though the extras don’t live up to the promise of its “collector’s edition” designation.
Calling Erykah Badu's Baduizm a better blueprint than it is an album isn’t meant to diminish its impact.
It’s once again AMPAS’s moment to show what side of history they want to be on.
Criterion’s release of Time affirms its place among the essential docs of its era.
It took a dozen years, but we finally get a transfer that does full justice to the glory of this most sumptuous of all Technicolor films.