Review: For Ellen

So Yong Kim’s direction is ruminative, even poetic, in its pacing, its sense of place, and its approach to intimacy.

Review: Citizen Kane

Kane’s story is as much about locating the psychological bruises that shape public figures as it is about the essential enigmas of said figures.

Review: The Possession

The slog that has been Jeffrey Dean Morgan’s career thus far isn’t likely to be revived by Ole Bornedal’s The Possession.

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Review: The Awakening

Forgiving the film’s flippantly anti-secular, anti-science attitude, it nonetheless remains a wasteful, largely risible endeavor.

Review: ParaNorman

The film is mostly interested in paying lip service to certain sociological issues and issues of accepted film styles and structures.

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Review: Grassroots

Grassroots seems interested in nothing so much as the struggles of Richard McIver. Cogswell in finding his middle-class self.

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