Review: City Island

Everybody’s got their secrets in City Island, something we’re reminded of early and often by writer-director Raymond De Felitta.

Review: I Am Love

The central story is rich enough to overcome much of Luca Guadagnino’s odd and arguably unmotivated catalogue of visual and aural trickery.

Review: Stolen

If nothing else, Stolen gives viewers a chance to see James Van Der Beek made up into a sneering, splotch-faced septuagenarian.

Review: Brooklyn’s Finest

A riot of heavy glances and portentous imagery, a near constant chorus of brooding strings and, in its latter, terminal stages, an excruciating program of narrative elongation that verges on the absurd.

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