Megadeth’s self-titled 17th studio album will reportedly be their last, which makes its ordinariness feel all the more glaring. The riffs cycle through familiar shapes, the solos arrive on cue, and everything trudges forward with a bloodless efficiency—the same template that the thrash metal band has relied on for the past two decades. For a supposed swan song, the near-absence of risk, reward, or even closure is instructive in the worst way.
A streak of indifference and a lack of a distinct personality have always been two of Megadeth’s defining features. Closing out their farewell LP with a cover of Metallica’s “Ride the Lightning” feels less like tribute than an open admission that this is a band still surviving on proximity to history (indeed, frontman Dave Mustaine once played guitar in Metallica, a credential Megadeth brandishes like a groupie with a backstage pass) rather than on the strength of their own ideas.
Megadeth’s original material is largely anonymous, exemplified by uninspired titles such as “Another Bad Day” and “Obey the Call.” New member Teemu Mäntysaari shreds with metronomic precision, his guitar playing folded into a hyper-polished aesthetic that emphasizes technical accuracy over character. Everything is overly compressed and tightly controlled.
Mustaine’s trademark snarl has collapsed into a pinched bark, turning every chorus into an endurance test for the listener. The singer’s 2019 throat cancer diagnosis is obviously a factor, but the band seems to make little attempt to work around these new limitations.
The sophomoric “I Don’t Care” is a shit-post of a lead single that turns Nelson Muntz’s laugh into a mission statement, filled with edgelord verbal barbs that may or may not be directed toward former bassist David Ellefson, but its commitment to the badass bit is at least memorable. Nothing else on Megadeth commits to much of anything. Even “The Last Note” barely musters the energy its title demands. For a final album from supposed titans of metal, Megadeth operates with surprisingly little ambition: It clocks in, then clocks out.
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oh this album was mid lol lets call in paul attard the bad review guy
This is not a review, it’s just a bunch of insults, but what does it mean?” indeed, frontman Dave Mustaine once played guitar in Metallica, a credential Megadeth brandishes like a groupie with a backstage pass ” on one hand a band that wrote history on the other hand someone who pretends to be a reviewer
Shame on you ! this album is one of the better !
This is one of the worst album “reviews” I have ever read. This reads like nothing more than a smear by somebody who was personally offended by Dave Mustaine at somepoint in their life. “rather than on the strength of their own ideas”. What? Megadeth’s riffs and songs are complex, difficult, and very creative. You can dislike the album, but at least give a genuine review instead of this garbage. After all, isn’t that the point of an album review? Never heard of this schmuck, but maybe metal isn’t his thing?
It’s not a great album, but remarking that ” a lack of a distinct personality” is what typifies Megadeth’s output really is one of the most cretinous takes I’ve ever heard