Leap Year is like most relationships: You keep waiting for it to get better, until you finally accept that it won’t.
Canons form based on availability.
Never mind that the stars are spectacularly misaligned.
What does the distancing effect of Lewis’s humor have to do with its sense of trauma?
Throughout these films, Kazan casts assertive supporting players as foils to his ambivalent leads.
The movie’s title could easily refer to an audience unaware of its prejudices.
The women interviewed here deserve a movie that does more than take them at their word.
The film is a pile of sanctimonious crap that tries to sweeten itself with the perfume of goodwill.
Toy Story 2 errs on the side of sweet and light.
I was over Louis Garrel before I was ever into him.
The documentary is content to slide on hagiography and shortchange cultural critique.
Much will be written about Kristen Scott Thomas’s performance in the new French film, most of it justified.
Saying that it’s just a movie is like saying that Sarah Palin is just a politician.
While it’s slanted far to the left, the film justifies its views by investing emotionally in its protagonist’s work.
Quilombo Country’s main tension emerges between a traditional style of community living and the urban lifestyle threatening it.