There are simply too many amazing films—thousands, really—that could occupy every slot on this list just as confidently as the ones that are here.
Michael Glawogger’s Whores’ Glory offers a revealing, troubling look into a trio of environments of prostitution.
I hate hotshots.
The film begins (of course) in Vanda’s room.
The family ends in shambles here, scattered and unreliable, a debt due.
One look at the appalling slum where Pedro Costa has set In Vanda’s Room seems comment enough.