The year may have gotten off to a slow start, but these are the albums that we just can’t stop listening to.
The band’s propensity for catchy, danceable garage-punk remains intact.
The singer seems torn between unruliness and introspection.
The album is a hesitant step in the right direction for the singer.
The album is, if nothing else, an inadvertent test of Boone’s capabilities as a performer.
Carlisle is at his best when he juxtaposes traditionalism with contemporary sensibilities.
These albums reflect a collective mood that’s far more nuanced than the almighty algorithm would have us believe.
The trio seems torn between embracing mainstream pop or following their bolder instincts.
The song and video are part of the artist’s first solo project since 2015.
Opening day brought together a unique mix of rising stars and powerhouse headliners.
Directed by Joseph Kahn, the video features cameos by Mr. Beast and Carey’s alter ego, Bianca.
The singer’s voice easily holds these songs together, but the material could be more compelling.
Too often the album’s big swings don’t always land a clean hit.
To celebrate the album’s 30th anniversary, we’ve ranked every track of the singer’s sophomore effort.
The album is one of the rapper’s most meandering, insular, and uninspired to date.
Like so much good pop music, the album makes hard work seem like second nature.
The song arrives less than a year after the release of the singer’s sixth studio album.
Some oddly deconstructed influences pop up on Pulp’s first album in 23 years.
The band flat-out demands your complete willingness to enter the void.
The songs take their sweet time unfolding, luxuriating in sax solos, spoken interludes, and world-building.
An album of collisions: between time and space, past and present, precision and spontaneity.