FILM
MOVIE REVIEW
Domestic Disturbance **½
by Ed Gonzalez on October 31, 2001 Jump to Comments (1) or Add Your Own
Harold Becker's easily digestible Domestic Disturbance may be too efficient for its own good. Busybody boat-builder Frank (John Travolta) is all peaches and cream, advising his son Danny (Matthew O'Leary) to put a lid on the post-divorce trauma and chum up to Mom's new squeeze, upstanding citizen Rick Barnes (Vince Vaughn). Whore-loving Ray Coleman (Steve Buscemi) waltzes into town wanting to settle old debts only to get incinerated by a snarling Rick. Danny is a witness though his wolf-crier reputation gets him nowhere at the local police station. Vaughn devilishly chomps on the film's scenery, going postal during a game of catch while expertly slithering in and out of Danny's bedroom once the boy is on to the dirty stepfather's past. Domestic Disturbance is conventional to a fault. The story is smooth but it's not unlike something you'd find inside a grade school mystery book. Dad plays the amateur sleuth, Mom comes around and domestic bliss is reclaimed. There's a remarkable lack of hysterics here. Becker's delicate camerawork evokes the pervasiveness of Frank's malice. Sans hamfisted sound cues, the film's boos are genuinely potent. You might forget Domestic Disturbance ever existed, but it's a fun ride while it lasts.
- Director(s): Harold Becker
- Screenplay: Lewis Colick
- Cast: John Travolta, Vince Vaughn, Teri Polo, Matthew O'Leary, Steve Buscemi, Chris Ellis, Nick Loren
- Distributor: Paramount Pictures
- Runtime: 89 min.
- Rating: PG-13
- Year: 2001
Comments
- No-Personality on August 30, 2010, 08:58 AM
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Thanks to Slant, I don't think I'll EVER forget this film. Everytime it springs to mind (while first I'll make sure to flash back to what Roger Ebert said about how Vaughn's character was turned into a nearly supernaturally unkillable monster), I'll remember it as the moment Ed Gonzalez went insane. Nobody saw this film as a joke. People either took it seriously—thinking it was a realistic portrayal of a father robbed of his right to make decisions in the son's life by a typical woman (just can't trust a bitch, can ya?)—or rolled their eyes during the whole thing because they knew it was too far beyond ridiculous to come back to planet Earth. I'm childish enough to put myself in the kid's position and weird enough to appreciate a potential dark rape fantasy situation (otherwise, why would pointing out the pervasiveness of Frank's malice be a plus for the movie?). But even then, I got more kicks out of Vaughn's bizarre domination ritual in Clay Pigeons (isn't it better with a friend?).
He was such a poorly set-up cliche here as a not-so-dirty Stepfather (and standing in Terry O'Quinn's shadow, he's got a lot to learn). I really did feel like I was watching a Lifetime TV movie, and you get the same amount of real-life accuracy there. And funnier titles too. Mother, May I Sleep with Danger? Or, Student Seduction (poor woman...yeah sure- what a nightmare). Bad precedents set here, all around. O'Leary becomes a victim again in Frailty, Vaughn's sex appeal goes down even more, and Teri Polo racks up another quasi-dumb woman stereotype. She played an equally easy to manipulate mannequin in Meet the Parents (how about you stand by your man BEFORE your father tries to have him exiled?). Whatever happened to the Maura Tierney type? When she made decisions that affected other people, she actually listened to them, was funny and didn't let anyone else control her (that's why she attracted the nice guy types and Ashley Judd and Jennifer Lopez got stuck with the wife-beating, back-stabbing slimeballs). Oh well, at least we have Anna Faris and Juliette Lewis.
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