For a series that deals mainly in touchy transgressions and dubious betrayals, Mistresses is awash in a yawn-inducing flatness.
Lost recognizes culture, particularly pop culture, as the primary means for understanding the world today.
Although possessing far less than a hatchful of extra features, this is still a DVD set you’d want to take with you to that proverbial desert isle.
Lost is a show fairly obsessed by notions of duality.
The episode plays less like an individual segment of the show and more like a long prelude to the two-hour finale.
Father issues are to the Lost flashback what cancer is to a diagnosis on House.
Michael Emerson maybe has the trickiest part to play on Lost.
The constantly dilating timeline of Lost continually forces the viewer to recalibrate what they’ve already experienced.
One of the things that makes “Namaste” so much fun is the way it convolutes itself within the timeline we’ve already seen.
It almost feels silly to complain about how overstuffed an episode was when all of the stuff going into it was as compelling as what happened in “This Place Is Death.”
There’s a deal we make, we Lost fans and appreciators.
In so many ways, this latest episode is Lost at its best.
The Others might be terrorists, but they have families, homes and moments of humanity just as real as the show’s protagonists.