The horror anthology’s finest entries convey how real horror comes in more than shades of red, and how it lives inside us all.
In Xavier Gens’s The Divide, the revolution will not be televised, only the degradation of human civility.
Explicit in Frontier(s) is its maker’s belief that nothing should be left to the imagination.
Though based on a popular video-game series, Xavier Gens’s Hitman plays like a music video without the music.