The four Star Trek: TNG films receive best-to-date video presentations.
The A/V transfers and extras on this collection will satisfy even the most obsessed Star Trek fan.
It plays things a bit too straight and safe by giving into basic emotional and thematic possibilities of each period in Takei’s prolific early life and subsequent Hollywood career.
Though many have focused on The Final Frontier’s failings, the truth is that it has many virtues as well.
It’s hard to exhibit anything other than pity toward Escape from Planet Earth.
Justin Halpern’s life must be awful.
After Moon Safari, Air were (at least briefly) mandatory entry-level indie listening.
On paper, the film’s only purpose is to resolve the seemingly insurmountable plot element of Spock’s death in Star Trek II: The Wrath of Khan.
A loose, unintended trilogy these films may be, but fans who already own the earlier two-disc versions won’t need to upgrade.
A solid sampler of the original series for those curious about the original Enterprise crew before J.J. Abrams’s latest reimagining.
The film timidly lands on an underdeveloped middle ground between skewering and embracing mass-market consumerism.
The Wild is too slipshod to even decide on the level of its animals’ anthropomorphism.
Attention makeup-wearing women of the world: you are weak, bitchy sissies. So says Miss Congeniality 2.
The album’s closest antecedent is probably the Word Jazz installments of one Ken Nordine.
Showtime is impossibly lightweight for TV satire.