Tveit’s innocent, approachable visage has been a large part of his appeal.
Ahh, it came back and nearly all was right with the world.
Understanding Screenwriting #72: Of Gods and Men, Rango, Uncle Boonmee Who Can Recall His Past Lives, & More
by Tom Stempel
Religion is a very difficult subject to make a film about.
As in most heist movies, we are sympathetic to the robbers.
Understanding Screenwriting #56: The Other Guys, Edge of Darkness, Great Day in the Morning, & More
by Tom Stempel
I always thought Harry Langdon was creepy. Jerry Lewis seemed mostly silly.
Understanding Screenwriting #54: The Kids Are All Right, The Informant!, Rubicon, & More
by Tom Stempel
And the grown-ups are even better.
Understanding Screenwriting #53: Salt, Farewell, The Recruit, It’s Love I’m After, & More
by Tom Stempel
By Salt. But, but, but…the dog.
Nick Hornby does not just balance the two main characters, but all the supporting ones as well.