Kino’s 4K release is now the definitive home video edition of Jewison’s best picture winner.
Kino offers a beautifully lurid transfer of a greatly underrated Jack Nicholson thriller.
Criterion’s 4k transfer and extras do justice to one of New Hollywood’s more complex and challenging social message movies.
Fonda’s beautiful, unjustly overlooked western has been outfitted with a gorgeous transfer and an eclectic collection of supplements.
Due to the nature of the film’s rediscovery, aligning it to its more renowned contemporaries is inevitable.
This rough, lurid, pointedly un-preachy work of macho outlaw cinema, one of the best of the many John Dillinger movies, deserves to be better known.
They’re great films, period, and Criterion appropriately honors their elusive, pared, and despairingly and misleadingly plain-spoken brilliance.
This troubled autobiography in genre film’s clothing receives an uneven transfer that’s aesthetically, even spiritually, apropos.
Dirty Mary Crazy Larry boasts its fair share of quotable dialogue ranging between wistful philosophizing, off-the-cuff calumny, and cornball caricature.
Badlands is perhaps most different from the rest of Terrence Malick’s oeuvre in its straightforward narrative continuity.
Malick’s beloved first film gets a somewhat light, though reverent, treatment from Criterion.
The characters’ aimless, gear-head addictions define the joyless but dutiful—almost Catholic—tone throughout.
Shout! Factory did a very good job cleaning up the picture quality for these releases.
Cult director Monte Hellman lets the motors do the talking in Two-Lane Blacktop.
Sam Peckinpah’s nasty masterpiece is the best Head available on DVD.
Everyone gets screwed in the end, and hoping for anything better is the refuge of the foolish and naïve.
The Shooting pays obvious homage to the classic westerns of John Ford and Howard Hawks.