This UHD disc, sourced from a recent 4K remaster, is a massive upgrade over its predecessor.
Wish plays out like the No Frills version of a Disney princess story.
This is one Criterion’s most stacked one-disc Blu-ray releases of the year.
Tim Sutton is a deft cartographer of how environments can shape its inhabitants.
The film translates the often difficult realities of a specific kind of marginalized love into a story with broad appeal.
Haynes’s film intermittently hits upon a few original ways of representing its ripped-from-the-headlines mandate.
Danny Strong’s film suggests dramatic Tetris, and it leeches J.D. Salinger and his process of any mystery.
Jóhann Jóhannsson’s score is just one of many elements that conjure a relentlessly terrifying realm of despair.
A relentless stream of twists and turns that exude neither imagination in their craftsmanship nor moral revulsion in their implications.
The rambling conversations and endless wandering through nature could let the film pass for a filler episode of Lost.
Ephron imbues the film with a self-awareness that remains rewarding in spite of its contradictions.
The top-notch packaging reveals Argo for what it really is: a coolly realized, wildly reckless actioner.
The film emerged from Toronto as virtually every pundit’s Best Picture frontrunner.
Undeniably rousing, but deeply irresponsible, Argo fans the flames surrounding historical events likely to still remain raw in the memory of many viewers.
Whatever crises occur beyond the scope of the characters’ webcams have only the most oblique impact on their online personas.
You’re not going to find a grander spectacle in theaters right now, and the truth is, you haven’t found too many in the last 15 years.
Here, the writers are forced to rely on tricks to create a cohesive storyline outside of the web-chat format.
There’s no doubt that it does a body good, casting a chilling spell in the wake of Proposition 8.
Cameron’s dialogue was wrong. With Titanic, he clearly discovered that it is a woman’s vagina that is a deep ocean of many secrets.
James Cameron’s film is as perverse as it is completely guileless.