Paravel and Castaing-Taylor discuss how gut instincts guide their editing process.
Lucien Castaing-Taylor and Véréna Paravel’s film is one of the supreme cinematic examinations of the body’s magnificent malleability.
At heart, Aquarela is a war film: a cacophonous survey of the global battle between man and water.
Throughout Caniba, there’s a singularly disquieting relationship between the filmmakers’ formal experimentation and their subject.
The most innovative film of the decade comes to home video as the reference disc from hell.
Leviathan is a titanic achievement, a visceral overload whose impact registers immediately and with great force.
The fearless documentation of the enterprise is the heart-stopping cinematic analogue to the crew’s real-world peril.
The film is a well-mixed assemblage of cacophony, rain, and detritus set in the Willet’s Point neighborhood of Queens.
Véréna Paravel and J.P. Sniadecki’s Foreign Parts is a lovely and detailed visual elegy.