Yorgos Zois’s film banks on juxtaposition alone without quite delving into more fertile terrain.
Georgis Grigorakis’s film may not revolutionize the western genre by transposing it to an unlikely setting, but it doesn’t dilute it either.
Athina Rachel Tsangari’s obvious skill can’t hide the fact that how she packages her one-note concept is perhaps more interesting than the concept itself.
Athina Rachel Tsangari’s Attenberg is a boldly conceived assemblage of diverse and seemingly random fictional materials.