Oscar Prospects: Anonymous

​Roland Emmerich’s film is an interesting case in that it may very well be its director’s best work; however, a better director is the one thing it surely needed.

Review: Anonymous

Anonymous leaves one bereft of any meaningful knowledge of its central personages or the theatrical energy of their age.

Review: Robinson in Ruins

Robinson in Ruins’s narration fosters a healthy fascination with the subjectivity of the image and the film’s relation to the rampant machine of “progress.”