Zeros and Ones is the unwelcome spectacle of a bad boy attempting to apologize for his badness.
It ultimately lacks the vision and conviction to honestly and meaningfully dissect a contemporary political movement’s deep-seated structural malaise.
Working in the most white elephantine of genres, Abel Ferrara has produced one of its few termitic entries.
Here, the mother/whore dichotomy collapses in whimsical ways: The mother is the whore.