Michael Mann’s moody crime classic gets a definitive release in the UHD format.
The sensibilities of Quentin Tarantino and Tony Scott come together to fashion one of the cornerstone films of the early 1990s.
Joseph Kosinski’s film fully surrenders to the grandiose fun that’s marked the best of Tom Cruise’s recent star vehicles.
The Snowman is missing so much basic connective tissue as to be rendered almost completely inexplicable.
Terrence Malick’s Song to Song is about floating along on currents of uncertain desire and excitement.
Adam West and Burt Ward are antipodal to every subsequent incarnation of Batman and Robin. The dynamic duo are blithe fuddy duddies turned billionaire scions in spandex.
A redux of Myth of the American Sleepover, an equally evocative tale of longing that was far more successful at matching teen tropes with atmospheric naturalism.
This edition makes a weak, halfhearted case for Coppola’s latest oddity, which can use all the defense it can get.
Outside of the earnest and grounding turn by Warwick Davis, the characters and accompanying performances are uniformly maladroit.
Howard’s faux-Tolkienian epic of burdensome adventuring gets a royal treatment from Fox with an excellent A/V transfer and a solid bundle of extras.
Sometimes, a ruse is so convincing that everyone is fooled, swept up by the yank of the proverbial rug.
Unlike most recent omnibus features, the three short films comprising The Fourth Dimension riff not on a specific location, but on a set of creative rules.
One selection here is so indelible that its wearer spawned the name for a whole style of ’stache.
Twixt is Francis Ford Coppola in grindhouse mode.
If this film is any indication, Renny Harlin is looking to hoist himself up from the bottom of the barrel using the Blood Diamond template.
When I remember Top Gun, I always think of a pair of women’s shoes and a message from God.
The film has none of its spiritual predecessors’ wit, verve, or morally conflicted perspective on its subjects.
Like many a contemporary lowbrow comedy, MacGruber’s at its best when it’s most vulgar.
Nowhere Boy is an unusually accomplished first feature by female British artist Sam Taylor Wood.
Nicolas Cage’s performance is some kind of tour de force.