A good transfer of a masterfully made, if somewhat slight, film.
The death of Claude Chabrol inevitably saddles Inspector Bellamy, the prolific French New Waver’s final feature.
Make no mistake, there’s an epic scope to October 17, 1961.
Ziad Doueiri’s follow-up to 1998’s well-received West Beirut doesn’t hawk a naïve liberal’s vision of assimilation and cultural identity.