Throughout, director Wolfgang Murnberger can’t manage more than a few surface-level ambiguities.
By treating his hot subject matter with cool detachment, Markus Schleinzer depersonalizes his portrait of criminality.
Revanche is a remarkable vision, not only for the beautifully unnerving artistry of its images but for its quizzical existential questioning.
Revanche is a character-driven fallout-from-crime tale full of midsummer sunlight and yearnings for redemption.
Barbara Albert’s Falling is a trip down memory lane marred by estrangement, conflict, and wistfulness.
There’s no humanity buried beneath the life-is-bleak passages of Barbara Albert’s film.