Review: The Gloss of Stuffed Is at Odds with Taxidermy’s Inherent Boldness
Review: Trick Will Treat You to Meatheaded, Commentary-Free Ultraviolence
Robert Forster: Winning in the Late Innings
Review: Cyrano, My Love Thinks Art Is Only Born of Romantic Passion
Review: In Greener Grass, White Picket Fences Cast Shadows Like Tendrils
Review: Big Thief’s Two Hands Crackles with the Intensity of a Live Album
Review: Anna Meredith’s FIBS Defies Boundaries, Shape, and Form
Review: Chromatics’s Closer to Grey Resplendently Charts the Passage of Time
Review: Nick Cave & the Bad Seeds’s Ghosteen Is a Haunting Meditation on Grief
Review: Vagabon’s Self-Titled Album Expands Her Musical and Lyrical Scope
Review: Ghost Recon Breakpoint Abounds in Mindless Fetch Quests and Dull Action
Review: Destiny 2: Shadowkeep Is One Giant Leap for the Bungie Series
Review: Indivisible Conjures Up Nostalgia Without Being Derivative
Review: The Surge 2 Is a Blast to Play, Though It’s Prone to Hand-Holding
Review: The Legend of Zelda: Link’s Awakening Is an Enchanting Remake
Review: Living with Yourself Is a Lesser Version of What It Could Be
Review: Catherine the Great Is an Alluring, If Shallow, Dip Into Russia’s Golden Age
The Best Netflix Original Series to Watch Right Now, Ranked
Review: Genndy Tartakovsky’s Primal Is a Stunning Swirl of Violence and Grace
Review: Modern Love Aims for Universality but Suffers from Tunnel Vision
The Films of Pedro Almodóvar Ranked
New York Film Festival 2019
Interview: Rob Zombie on 3 from Hell, Manson, and the Charisma of Evil
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Review: Pixar’s Toy Story 4 on Disney Blu-ray with Alternate Ending
Blu-ray Review: Bill Forsyth’s Local Hero on the Criterion Collection
Blu-ray Review: Charlie Chaplin’s The Circus on the Criterion Collection
Review: Otto Preminger’s Whirlpool on Twilight Time Blu-ray
Review: Ida Lupino Filmmaker Collection on Kino Lorber Blu-ray
Review: The Wrong Man Suggests a Concept Album Propped Up on Two Legs
Review: As Anatomy of a Presidency, The Great Society Is No Revelation
Review: Freestyle Love Supreme Pumps You Up with Rhyme and Rhythm
Review: American Moor Richly Illuminates the Experience of Acting While Black
Review: The Actors Are the Thing in Betrayal, the Stage-Craft Not So Much
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Debating at the End of History: Ben Lerner’s The Topeka School
Interview: J. Hoberman Talks Make My Day, Reagan, and ‘80s Movie Culture
The Fog is pivotal to the cementing of director John Carpenter’s aesthetic.
Studios are rarely this good to films like this. Certainly more for Carpenter fans, this DVD edition of The Fog is for their permanent collections.
Enter to win Blu-rays of Toy Story 4, Light of My Life, DVDs of China Beach: The Complete Series, and more
