Perhaps the most crucial element of Jonze’s vision is its sympathetic embrace of the volatile beating hearts of its characters.
James Gray has been working toward The Immigrant for his entire career.
This is a father-son love story, and it’s caustic, complex, and utterly compelling.
What emerges most saliently from Mintzer’s interviews is Gray’s commitment to the idea of problem solution in creating his style.
I’m not sure how Mulholland Drive would look to me now that this decade is ending.
Hello and welcome to one of our more epic episodes, which just happens to be lucky number 13.