Shawn Levy’s sci-fi flick is as crowded with incident as it is with saccharine family drama.
Pacific Rim Uprising is a more fascinating, unpredictable creation than its predecessor, and one that sticks longer in the mind.
Emotional complication might have elevated Maze Runner: The Death Cure out of its programmatic torpor.
Every set piece brings to mind an Epcot Center attraction built from borrowed parts, and on a CW show’s budget.
Wes Ball’s film is at its best when its characters are in motion, the world around them revealed as temporary, unstable, and always in flux.