Eichmann could be just another bland program you flip through on the way to the History Channel as you crack open your third beer.
Don’t let Mercy’s title fool you, as there’s no clemency here from cliché or pretentiousness.
Renée Zellweger makes a concerted effort portraying Ann as charming and sympathetic even as the narrative fails to justify either quality.
Less a movie than a sociology thesis, Fragments follows a bunch of post-traumatic Los Angelenos after they’ve witnessed a shooting inside a diner.
The film dumps on audiences a plot that consists of 500-some-odd puzzle pieces that all come together exactly as you expect.
Despite all that talent on display, Sunshine is a philosophical blank slate.
If you have any sense, you’ll rent and savor Trash instead.
The film is a blundering debacle full of barely conceived characters.
The red, white, and blue barber’s pole is getting a little rusty, but fans of the wholesome franchise probably couldn’t care less.
Barbershop 2 has too many creaks in its gears to earn a wholehearted recommendation.
Cedric the Entertainer weasels himself into the lead role with very mixed (mostly negative) results.
Barry Levinson’s latest is shamelessly devoid of subtext.