Joseph Martin and Sam Blair’s Keep Quiet wrestles with the irresolvable dimensions of its subject matter.
Here’s a concert film that’s as fixated on backstage interactions as it is on the live performances themselves.
There’s plenty of life in this honest, impressionistic portrait of a cohort of 21st-century American girls.
The Emperor’s New Clothes suggests that Russell Brand has picked up a few tactics from Michael Moore.
For all its gestures toward taking a more thoughtful approach toward genre tropes, the film ultimately ends up conforming to them..
Like Cake, Meadowland takes a slow, painfully close look at the effects of a parent losing a child.
Dirty Weekend finds the generally prickly Neil LaBute in a relatively lighthearted mood.
Toto and His Sisters is visually impersonal, but nonetheless conjures up risky, relevant, and quite personal ideas.
Niccol has awkwardly shoehorned in broad talking points from various sides of the drone controversy.
The Cut lives up to its title, creating two sets of strong, sometimes dueling reactions.
Man Up’s quick-paced, quippy dialogue aims for screwball sass and sizzle but doesn’t quite hit the mark.
Moselle’s slapdash, borderline indifferent aesthetic shortchanges the more fascinating elements of her subject.
Though Virgin Mountain is the English title, its Icelandic title, Fusí, seems more fitting.
Being 14 is a much more realistic representation of young mindsets and behavior than Bridgend.
Tribeca Film Festival 2015: Hemal Trivedi and Mohammed Ali Naqvi’s Among the Believers
Among the Believers takes viewers to the frontlines of an ideological battle playing out in the Islamic world.
In Transit could be seen as a poetic encapsulation of Albert Maysles’s nonfiction art.
Ido Mizrahy’s Gored is a survey of hard knocks and the terror of dying dreams.
The Boston-born Sean Gullette is currently based in Tangiers, his wife’s hometown, and he clearly has empathy for his adopted city.
This film fest as cultural event earns its reputation as a major happening for New York cinephiles of all stripes.
Audiences are likely to be drawn to Ice Poison because it’s the rare feature film from Myanmar.