It uses the mawkishness of a Hallmark Channel movie as an ironic backdrop for a twisted Hitchcockian thriller.
A concern of stereotypes, and multimedia’s exploitation thereof, runs through this haunting collection.
Katori Hall ’s work is remarkable for her keen ear for wisecracks and irreverent, self-deprecating humor.
A show queen couldn’t possibly do any better for the Broadway beat than Dori Berinstein’s breezy, affectionate valentine to the Great White Way.
The most believable moments in Premium slightly prevail over its inauthentic ones.