The setup suggests a topical takedown of both corruption in the priesthood and the ruthless ways Catholic churches have tried to cover up their immoral behavior.
Chilean filmmaker Pablo Larraín gives us another take on his country’s dark dance with military dictatorship in No.
If there is a thread running through some of this year’s festival, it is the acceptance of the enigmatic in human beings.
Both The Headless Woman and Tony Manero are staggering in different ways.