The latest from DreamWorks Animation always seems as if it’s trying to find its footing.
After watching this Welsh racehorse drama, even those of us who’d struggle to pronounce the word may find ourselves feeling a bit of hwyl.
The film has a weird, ghostly, even beautiful pull, but it functions mostly on theoretical terms because Kaufman has thought it to death.
With its silvery sheen and sexy lure of celebrity actors being naughty, the film recalls the decadent, self-consciously chic art it parodies.
It seems like the film is being marketed as less miminalist in the horror department than both The Witch and It Comes at Night.