Review: Jason Bourne

Where Paul Greengrass’s action sequences were once visceral and intentionally unpleasant, now they just titillate.

Review: Criminal

Criminal’s absence of style, the lack of relish the filmmakers take in the material’s inherent ludicrousness, is a failure of conviction.

Review: The Family

The Luc Besson film’s only distinguishing characteristic is how big a mess it makes of its already meager ambitions.

Review: Emperor

Peter Webber’s historical drama is blunt about its stylistic ambitions while at the same time failing to meet them, and the effect is one of sad ineffectuality.

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