Riffing on early portions of Thomas Harris’s novel of the same name, Hannibal is similarly liberated by its protagonist’s unmasking.
More incisively and ambitiously written than the last season, and sporting the most radically expressive imagery currently on television.
The poignancy of The Lightkeepers is ultimately unintentional.
Writer-director Richard Curtis is about as rock ‘n’ roll as the average great-grandmother.
Edge enhancement visibly hugs objects and actors from time to time, but color saturation is gorgeous and the sometimes gloppy blacks, given the film’s origin as a comic book, always make sense.
A cold synthetic invention, 300 catches the eye but leaves the heart indifferent.