Romero and Argento’s Two Evil Eyes receives its most impressive transfer to date from Blue Underground.
Fans of this weird, thematically incoherent cult oddity might be a little disappointed by the paucity of extras.
The tawdriness of the 2010 film has been tempered substantially in Machete Kills.
Even the inimitable Tony Todd doesn’t escape unscathed in this dubious reimagining of George A. Romero’s original horror masterpiece.
It’s only the third tale that transcends the movie’s pleasant aura of video cult hit mediocrity.
Rodriguez loves grindhouse cinema, but you’d never know it from Machete, which seems more interested in mockery than homage.
Robert Rodriguez’s films are so busy chuckling at their own supposed audacity that there’s no need for viewers to join in the revelry.
Forgive me if I sound like a dime-store psychoanalyst, but Romero’s begging you to put Barbara on the couch.
It’s a loveable bust of a film, and to most children of the 1980s, a dorky reminder of cinematic joys past.
Pressed under the DiviMax banner, the incredibly wan-looking Creepshow 2 is a benefactor of a format that only stresses the limitations of the original product.