It’s hard to know where to situate “Two Boats and a Helicopter,” the stellar third episode of The Leftovers, within the HBO drama’s still-elusive arc.
In the beginning, at least, The Leftovers sounds familiar.
From Patrick Wilson’s buttocks to the equally assy faces of the film’s gossipy stay-at-home moms.
The film is the Academy Award-baiting version of Don’t Ask, Just Tell cinema.