The film’s aura of sincere, uncomplicated Americana can be intoxicating and hard to resist.
The four Star Trek: TNG films receive best-to-date video presentations.
One of the greatest action franchises of all time receives a terrific UHD spit-polish.
The title is an assurance that the most action-packed sequences will be defined by loudness, incoherence, and pointless cruelty.
Every scene is virtually self-contained, and so Capone feels as if it’s starting all over again from frame to frame.
By the end, Venom’s full-tilt embrace of action effectively undermines Tom Hardy’s flashes of actorly idiosyncrasy.
The metronomic precision of director Christopher Nolan’s cinema is foregrounded in Dunkirk.
Taboo is perched somewhere between the utterly baroque, the intensely theatrical, and the routinely expositional.
You have to ask which storyline does an evenly matched Oscar contest best serve? That of the underdog, obviously.
What pushes the film, at long last, into the icy river, is its very design, as a monument to slick, mercenary grandeur.
The script is so bereft of insight into its characters, there’s only so much even an actor of Tom Hardy’s stature can do.
The gorgeous transfer fully honors the film’s distinctly amazing road-fever aesthetic.
Miller orchestrates the rubber-burning pandemonium with the illicit smirk of someone who knows he’s giving us exactly what we want.
It’s at once devoted to corroborating and casting an exaggerated light on Soviet paranoia and the state’s rhetoric of unmasking its enemies.
We hope to shine a little light on brilliant, touching, often funny performances which enrich our understanding of what it means to be human.
With its optimistic ending, the film muddies its previous statements regarding the danger of unthinkingly hanging on to totems of the past.
The literalizing of Ivan Locke’s hidden self and his inability to master it ultimately exposes the film as the squarest kind of theater: drama therapy.
The Police Officer’s Wife had easily the most walkouts of any film I saw at the festival.
Lawless is a compellingly nutty and uneven gangster film.
The year’s silliest and most stubbornly self-serious blockbuster,arrives on Blu-ray with a flawed A/V transfer.