A pair of films by two of Japan’s most aesthetically radical cult directors have given me pause.
Understanding Screenwriting #23: ER, Duplicity, Coraline, Sin Nombre, Tokyo Sonata, & More
by Tom Stempel
This series finale episode will probably not go down in TV history as one of the great series finales.
Agnès Jaoui’s Let It Rain is the kind of film it’s hard not to be snotty about.
The ringside clashes, as befits the director of Requiem for a Dream, remain baroque visions of corporeal abuse.