The filmmaker discusses Au Hasard Balthazar’s influence on his new film, working with younger actors, and more
Todd Solondz fails to configure the hand-offs of the dachshund in a narratively inventive manner.
After Life During Wartime, Dark Horse feels like a regression for Todd Solondz.
Wes Anderson seems to have taken a page from Todd Solonz’s book, and it’s hard to imagine more beautiful results.
A wonderful, must-own transfer by the Criterion Collection of one of last year’s best films.
Some things are unforgiveable, aren’t they?
As with Palindromes, the film revolves around a casting gimmick, with its predecessor’s roles now embodied by all new performers.
Kudos to Todd Solondz for making a film that, forward and backward, smells like total bullshit.
Todd Solondz is sensitive to criticism, a fear he hypocritically lays bare throughout Storytelling.