Is everyone ready for Mark Wahlberg to tap in with another test run of his wooden “surprise face”?
One selection here is so indelible that its wearer spawned the name for a whole style of ’stache.
The film looks strangely outdated, and certain production decisions scream budgetary compromise.
As a chaser to Ben Affleck’s last offering of pungent Beantown brew, the film is a near-beer.
Easily the most “stylish” episode of the season, what with its longish takes and lowish angles, this Richard mythology is also not too great a reveal.
Lost is a show fairly obsessed by notions of duality.
People aren’t who they seem in Gone Baby Gone, and that goes for its makers as well.
It had to be one of the quickest seductions in the history of television.
In Deadwood, no one incident is isolated; it inevitably touches everyone and everything, reverberating throughout a community now readying itself for its first legal elections.
HBO’s Deadwood, which begins its second season tonight, is the greatest dramatic series in the history of American television.