The opening pair of episodes, both directed by Lena Dunham, pointedly denies the titular foursome of much of anything resembling sympathy.
The film’s dramatization of Paul’s psychological “rubberneck” doesn’t just lie in literal details.
Writers are often told that, when it comes to the act of artistic creation, one should “write what you know.”
Is it possible for a cinematographer to be considered an auteur even more than the directors for which he works?
Autodidact Valérie Donzelli proves that she can make a better Tiny Furniture than Lena Dunham.
Watching Somewhere and then Tiny Furniture, it was very clear to me which daughter of privilege had made the better film.
Like Jodie Foster, Dakota Fanning has been the real deal from the time she was a kid.