Low Down is bereft of any unique insights that would distinguish it from Round Midnight, Bird, and other jazz-inflected junkie docudramas.
Devoid of much of the fantasia of Miyazaki’s more outwardly visionary work, it still endures as his most beloved film.
The Skeptic awkwardly suggests Poltergeist as a 12-step self-help program.
Written and directed by Terence Winter, “Walk Like a Man” came close to being all things to all Sopranos viewers.
Is it possible that The Sopranos judges itself as harshly as the harshest critics judge The Sopranos?