Sam Gold’s sharply accelerating production reveals the horror of hypocrisy.
When Measure for Measure’s noisy stage business quiets down, Simon Godwin’s production is powerful.
For a film that warns against believing in a mirage, Burn Country seems all too comfortable perpetuating one.
Perhaps the most shocking aspect of provocateur Ivo van Hove’s slick remounting of Lillian Hellman’s The Little Foxes is that it really isn’t that shocking.
Despite its historical nature, The Temperamentals is anything but a dry history lesson.
If Lynn Hershman-Leeson’s film can be frustratingly incomplete, it’s because the case it documents is very much still in legal limbo.
Fay Grim is no fool, and as played by Parker Posey, she’s one marvelous creation.
Sims anyone?