The film is content to paint Mexico as a morass of poverty, decay, and turbulence that exists in a moral void.
The film veers almost at random from ghost story to family drama to erotic thriller to black comedy.
The title of the film pretty much sums up its shallow and exploitative take on mental illness.
Berman, Pulcini, and Diane Lane are consistently engaged in the discussion of the production of the film.
Angels Crest makes sure we know how clearly all of its heartache and suffering has been so fatefully ordained.
Cinema Verite is a finely polished dramatization of the making of the landmark 1973 PBS miniseries An American Family.
The game of tracking an auteur’s muse takes on distinct dimensions when considering the work of Gregg Araki.
Strange is the new normal in Gregg Araki’s splashy and squishy Kaboom.
This new take on A Nightmare on Elm Street gives a famous movie boogeyman an explicit psychological makeover
Vincent Gallo’s high-pitched whine is back in full force for his latest effort to seize the title of cinema’s great, obnoxious total filmmaker from Jerry Lewis.
Rather than add to a memorable canon of images, all visions of helplessness, this film simply replicates them.
Sarah Connor Chronicles brings to mind a minefield in its alternation between embarrassment and nuance.