The film feels like a missed opportunity to interrogate society’s fervent need to make pariahs out of people for their youthful mistakes.
The film circles a thorny premise, which makes it all the more disappointing that it results in a conventional clinch.
The film fails to effectively seize on how its main character’s life and work experiences have affected her as a person and artist.
Driven by the potency of its social intentions, Eliza Hittman’s film is so authentically felt that it becomes hyper-real.
The show’s myriad absurdities are resonant reminders of how tough it is to get lost in the labyrinth of capitalism.
Philippe Lesage’s film understands that we submit ourselves to the perils of affection because of its outweighing graces.
Growing pains and burgeoning sexual identity take center stage in several titles duking it out for the Pardo d’Oro at this year’s festival.