Cannes Film Festival 2014: Atom Egoyan’s The Captive by Budd Wilkins May 17, 2014 The Captive plays like the overeager idiot brother to Egoyan’s superior The Sweet Hereafter.
Review: Bluebird by Nick McCarthy April 24, 2013 It’s knitted together by its sense of place and lived-in performances, yet unraveled by anemic false melodrama and overbearing music.