Any major-race hopes that Focus Features may have had for the film were basically dashed this week.
How to sell a Keira Knightley period romance and still distinguish it from every other Keira Knightley period romance?
Understanding Screenwriting #25: State of Play, Adventureland, Every Little Step, Sugar, & More
by Tom Stempel
Three screenwriters, four counting the original TV writer, but you can’t tell.
The Soloist is a crude fiasco that trivializes the very values it allegedly enshrines.