By episode’s end, most of the show’s key characters have re-invested in the things that most matter to them.
Bilal Chatman and Kenneth Anderson’s stories both illustrate the injustices of the three-strikes law.
As unburdened, freely (dis)associative works, it’s barking up the wrong tree to assign meaning to a film by Nathaniel Dorsky.
Note to self: Be careful what you wish for.
Andrey Zvyagintsev’s film is moody and brimming with significance and potential tragedy even when nothing much seems to be happening.