By shifting the questions to stakes of claims rather than just an affirmation of positive or negative images, Nishime moves toward a progressive politics of the mediated imaging of multiracial Asians.
Eminem goes back to the future in the new music video for his single, “Rap God,”
Jonathan Glazer’s peculiar film is the most original feature at Toronto, and possibly of this year.
Today Is the Last Day is bohemian and brutal and frequently reads like a traveler’s nightmare.
Swordfish is multifariously condescending, but it’s so inherently clueless that there’s no use in getting offended.
At this stage, the alternately thrilling and unwieldy three-hour epic is the season’s closest thing to a wild card.
Clive Owen should feel rather good about himself.
Witches, wives, and even Whoopi made this list of women who sport only the darkest uniforms.
Here’s a list of 15 memorable movie ledges, from cliffs to rooftops to ominous subway platforms.
In the five years since this category, which was previous known as Best Sound Effects, was bumped up from three to five nominations.