Smith’s dreamlike tome feels like having unfettered access to the punk poet laureate’s innermost workings.
For a series that had to switch networks to provide closure for the open-ended third season, there’s no grand expressive sense of ending.
Golubic sees similarities between the live music space and the work of synching sound to image.
The AMC drama feels leaner and meaner, quickly recuperating from its needlessly extended and convoluted former storyline.
The Killing is a mystery show whose mysteries agitate and bore rather than mesmerize and astound.
On September 18, Bryan Cranston will not win his fourth trophy for Outstanding Lead Actor in a Drama Series.
The Killing is both new and old, on-trend and deeply unfashionable.