The songs on the Killers’s Pressure Machine take their sweet time unfurling, luxuriating in subtle details.
Wonderful Wonderful’s best tracks happen to be the ones that feel the most tossed off by the Killers.
For the past eight years, the Killers have partnered with (RED) for a Christmas single.
The Killers new single was produced by M83’s Anthony Gonzalez.
“Shot at the Night” might not be either the band’s or Gonzalez’s best work, but it’s a promising direction for Brandon Flowers and company.
Battle Born is as non-committal as a swing state, and hearkens back to an era predating any of the band members’ being of voting age.
Mellow’s name was a lie: Perfect Colors, their second (and seemingly final) album proper, is breathlessly sarcastic.
I think it was Lester Bangs who said listening to Pink Floyd is like wrestling with shit.
Day & Age manages to patch over most of the cracks in the Killers’s façade.
Sawdust is a cute name for an album of b-sides and rarities.
The Killers’s Sam’s Town is the kind of autofellatio that could destroy a band’s career.
As expected, the beat is twerkin’ and Timbaland feels the need to make his presence known.
Corbijn’s myth-making images forgive no one just yet.
Preceding the return of Duran Duran by several months, the Killers are the latest group to jump on the rock revivalist bandwagon.