Soul Kitchen wants to be a light comedy about a good guy who gets a series of bad breaks.
Fatih Akın is a filmmaker of irrepressible energy.
The cardinal sin of reviewing a film must be criticizing it for omissions it never cared about including in the first place.
Why does the sadness-tinged optimism of one of these films stay with me like a benediction?
The Edge of Heaven is like an unruly kid who draws penises all over your walls in permanent marker.